Mirasol Enríquez is the Director of the Moody College's Latino Media Arts & Studies program, and an Assistant Professor in the Department of Radio-Television-Film. As a film and media scholar and an arts administrator, she has devoted her career to community building through film and the arts. Her scholarship focuses on U.S.-based Latina producers of narrative feature films, media production culture, Chicana/o film, and representations of race and gender in media. Her work has appeared in Journal of Cinema and Media Studies, and her essay, "Trying to Sell Ketchup in a Salsa Bottle: Chasing Papi (2003) and the Hispanic Audience" will appear in the special issue of Feminist Media Histories that she and Dr. Mary Beltrán are co-editing on the topic of Latina Media Histories (forthcoming, Fall 2021). Dr. Enriquez, a sixth-generation Tejana, has been a community leader in Austin since she and her family moved here in 2015. She has been a guest curator for the Cine Las Americas International Film Festival, a board member at Forklift Danceworks, and the Director of Community Media for the Austin Film Society (AFS), where she oversaw their education programs and spearheaded the community media program at Austin Public, the community media center AFS manages for the city of Austin.
Mary Beltrán, Associate Director of Latino Media Arts & Studies and the founding director of the program, is an Associate Professor of Media Studies in the Department of Radio-Television-Film and faculty affiliate of Mexican American & Latina/o Studies and Women's and Gender Studies. She writes and teaches on ethnic diversity and the U.S. media industries, U.S. television and film history, mixed race and media culture, and feminist media studies, with emphasis on U.S. Latina and Latino representation and media production. Dr. Beltrán is the author of Latino TV: A History, recently published by NYU Press, and Latina/o Stars in U.S. Eyes. She is co-editor, with Camilla Fojas, of Mixed Race Hollywood.
Karma R. Chávez serves as the Associate Director of Latino Media Arts & Studies from outside the Moody College. She is Chair and Associate Professor in the Department of Mexican American and Latina/o Studies and affiliate in the Departments of Communication Studies and Rhetoric and Writing, the Center for Mexican American Studies, the LGBTQ Studies Program, and the Center for Women's and Gender Studies. She is co-editor of Text + Field: Innovations in Rhetorical Method (Penn State Press, 2016), Standing in the Intersection: Feminist Voices, Feminist Practices in Communication Studies (SUNY Press, 2012). She is author of Queer Migration Politics: Activist Rhetoric and Coalitional Possibilities (University of Illinois Press, 2013) and the forthcoming book, Palestine on the Air (University of Illinois Press). Karma is co-chair of the College of Liberal Arts Diversity Committee and a member of the radical queer collective Against Equality.
Frederick Luis Aldama, aka Professor Latinx, is the Jacob & Frances Sanger Mossiker Chair in the Humanities and Affiliate Faculty in Radio-TV-Film at the University of Texas, Austin, as well as Adjunct Professor & Distinguished University Professor at The Ohio State University. He is the award-winning author, co-author, editor and co-editor of over 48 books, including The Cinema of Robert Rodriguez, Critical Approaches to the Films of Robert Rodriguez, Mex-Ciné: Mexican Filmmaking, Production, and Consumption in the 21st Century Latinx Ciné in the Twenty-First Century as well as the recently co-authored books, Talking #browntv: Latinas and Latinos on the Screen and Reel Latinxs: Representation in US Film & TV. He is editor and coeditor of 9 academic press book series, including the editor of Global Media & Race with Rutgers University Press. He is the creator of the first documentary on the history of Latinx superheroes and the founder and director of UT’s Latinx Pop Lab. He is the author of several children’s books, including The Adventures of Chupacabra Charlie (published in English and Spanish) and the forthcoming, Con Papá/With Papá. Aldama’s Latinx TV in the 21st Century drops in 2022.
Miguel Alvarez is a Chicano filmmaker and Assistant Professor of Practice with the Department of Radio-Television-Film. His films have garnered awards from the Directors’ Guild of America, Panavision’s Emerging Filmmaker program, the National Hispanic Foundation for the Arts, and the National Association of Latino Arts and Culture. His most recent film, Atlantic City, a tale of two drifters in San Antonio, was an inaugural participant in the Kodak + Kickstarter Initiative. He is also a Screenwriting Fellow of the Latino Screenwriting Project sponsored by Cinefestival and Sundance for his sci-fi feature screenplay, La Perdida. Miguel’s documentary short on Latino voting obstacles, The Giant Still Sleeps, was commissioned by the Washington Post and PBS for the 2016 election and his newest project, Voto 2020, is a series of short documentary films looking at Latino issues in five swing states for the upcoming election. His work has screened at numerous festivals around the country, as well as internationally in Korea, Russia, Japan, and throughout Europe. Miguel is a board member for the Austin Film Festival, where he also served for eight years as Executive Producer for their award-winning television show, On Story. He holds both a BS in Mechanical Engineering and MFA in Film Production from the University of Texas at Austin.
Rosental Alves, Professor in the School of Journalism, has been a working journalist for almost three decades in Brazil, Spain, Argentina, Mexico, and the United States. He was chosen in 1995 from approximately 200 candidates to be the first holder of the Knight Chair in International Journalism, created by a $1.5 million endowment from the James L. and John S. Knight Foundation. It is a four-year project with a focus on educating journalists from Latin America and the Caribbean. The Knight Center is based at the School of Journalism, but reaches thousands of journalists throughout the hemisphere.
In Rio de Janeiro, Alves was the managing editor and member of the board of directors of Jornal do Brasil, one of the most important Brazilian newspapers. In 1991, he created the first online, real-time finance news service, the first in Brazil. And in 1994, Alves managed the launching of Jornal do Brasil's online edition, making it the first Brazilian newspaper available on the Internet.
Alves teaches and does research on international reporting (emphasizing the work of foreign correspondents), journalism in Latin America (especially the struggle for a free press in the hemisphere), and Internet journalism (the creation of a new genre of journalism for the digital medium).
Charles Ramírez Berg, Joe M. Dealy, Sr. Professor of Media Studies in the Department of Radio-Television-Film, is a member of the Academy of Distinguished Teachers and has won every major teaching award at The University of Texas. Most recently, he was the recipient of the Board of Regents’ Outstanding Teacher Award and was named one of The University of Texas’ Top Ten Great Professors in the June 2011 issue of the UT alumni magazine, The Alcalde. Dr. Ramírez Berg is the author of The Classical Mexican Cinema: The Poetics of the Mexican Golden Age, which was the Grand Prize winner of the 2016 University Co-op Robert W. Hamilton Book Award. His other books include Latino Images in Film: Stereotypes, Subversion, and Resistance, Cinema of Solitude: A Critical Study of Mexican Film, 1967-, and Posters from the Golden Age of Mexican Cinema, Dr. Ramírez Berg is on the National Film Preservation Board of the Library of Congress and is a founder of the Austin Film Society, along with director Rick Linklater.
Jason Borge is a Professor in the Department of Spanish and Portuguese who regularly teaches courses on Latin American film, literature, and music. His interdisciplinary research interrogates the intra-hemispheric dimensions of Latin American cultural production, and specifically the critical reception and imaginative reappropriation of US film and popular music. His latest book, Tropical Riffs: Latin America and the Politics of Jazz (Duke University Press, 2018), examines the ways Latin American cultural and media discourse shaped jazz as a central performative practice and emblem of transnational modernity from the 1920s through the 1980s. His two previous books centered on Hollywood. Both Latin American Writers and the Rise of Hollywood Cinema (Routledge, 2008), and Avances de Hollywood: Crítica cinematográfica en Latinoamérica, 1915-1945 (Beatriz Viterbo, 2005) analyzed the critical and creative impact of the US film industry in the region during the early and middle 20th century. His current research builds on his previous interests on the transnational circuits of cinema and popular music while delving deeper into questions of race, biopolitics, mobility, and critical hemispheric studies.
Cary Cordova is an Associate Professor in American Studies at the University of Texas at Austin. She also holds a courtesy appointment with the Center for Mexican American Studies and is a faculty affiliate of the Department of Mexican American and Latina/o Studies. She specializes in Latino and Latina cultural production, including art, music, and the performing arts.
Professor Cordova is originally from San Francisco, where she has focused much of her research. She is the author of The Heart of the Mission: Latino Art and Politics in San Francisco, published by the University of Pennsylvania Press in 2017. This book examines the history, art, and politics of an influential Latino arts movement in San Francisco's Mission District. Her articles include, "Portable Murals: Children's Book Press and the Circulation of Latino Art," in Visual Resources, "Hombres y Mujeres Muralistas on a Mission: Painting Latino Identities in 1970s San Francisco" in Latino Studies and, "The Mission in Nicaragua: San Francisco Poets Go To War," in Beyond El Barrio: Everyday Life in Latina/o America.
Originally from Corpus Christi, Dr. T. Jackie Cuevas joined the UT faculty in 2021 as Associate Professor of English and affiliate faculty of L-MAS, CMAS, MALS, and LGBTQ Studies. Cuevas has over twenty-six years of teaching experience and has taught at universities, community colleges, high schools, community centers, writing workshops, and detention centers. Prior to UT, Cuevas taught at UTSA, where she held a Lutcher Brown Endowed Professorship, directed the Women’s Studies Institute, and was the Principal Investigator for Democratizing Racial Justice (2021), funded by a $5 million Mellon Foundation grant.
Cuevas is the author of Post-Borderlandia: Chicana Literature and Gender Variant Critique (Rutgers University Press, 2018), which analyzes queer and trans figures in Chicana literature and film. With Sonia Saldívar-Hull and Larissa Mercado-López, Cuevas co-edited El Mundo Zurdo 4: Selected Works from the 2013 Meeting of The Society for the Study of Gloria Anzaldúa (Aunt Lute Books, 2015). Cuevas’s creative writing has appeared in Sinister Wisdom, Stone Canoe, Label Me Latina/o, and other publications.
Cuevas is an award-winning mentor and a 2018 recipient of the UT System Regents’ Outstanding Teaching Award. She belongs to the Macondo Writers Workshop and ALLGO, a statewide queer people of color organization. Cuevas is also the co-founder of Evelyn Street Press and has been involved in producing various BIPOC media projects, including serving as producer of Sharon Bridgforth’s Finding Voice radio show (2004) and creator/host of the Latinaxe literature and social justice podcast (2020-21).
Dr. Cuevas’s research and teaching interests include Mexican American and Latinx literature, film, and culture; women of color feminisms; film and media studies; and queer theory. In film and media arts, Cuevas is particularly interested in queer, trans, and nonbinary Latinx and BIPOC representations as well as Latinx and BIPOC masculinities.
[Headshot photo credit: Cindy Elizabeth]
George Flaherty is Associate Professor of Art History and Director of the Center for Latin American Visual Studies (CLAVIS) at UT Austin. He researches and teaches modern and contemporary art, architecture, and film, focusing on Mexico, the Spanish-speaking Caribbean, and their diasporas in the U.S. Courses Dr. Flaherty offers that may be of interest to L-MAS students, include: “:Apertures: Film and Photography through Greater Mexico” (ARH 341R) and “Art Cinemas Americas” (ARH 341S).
He is the author of Hotel Mexico: Dwelling on the ’68 Movement (University of California Press, 2016), which investigated the spatial dimensions of the 1968 student-led democratization movement in Mexico City and its afterlives. He is also the author of “Chicano Over Asphalt: Street Photography in Global Los Angeles,” which appeared in the exhibition catalog for La Raza at the Autry Museum for the American West. The catalog won the 2020 Thoma Foundation Exhibition Catalog Award from the Association for Latin American Art. His current book project retraces the axis of cultural exchange, affinity, and appropriation between Mexico City and Harlem in the 1920s and 30s.
Dr. Flaherty has held research fellowships from the Harry Ransom Center, the Getty Foundation, Center for Advanced Study in the Visual Arts (National Gallery of Art, Washington), Social Science Research Council, and Society of Architectural Historians. He was also a Fulbright-García Robles Visiting Scholar at the Instituto de Investigaciones Estéticas of the Universidad Nacional Autónoma de México
Rachel González-Martin is an assistant professor in the Department of Mexican American and Latina/o Studies. She studies Latinx folklore and popular culture from the vantage point of race, class and gender formation. She recently co-edited the volume, Race and Cultural Practice in Popular Culture (2018) with Domino Rene Perez. Her single author book Quinceañera Style: Social Belonging and Latinx Consumer Identities comes out in November 2019 with the University of Texas Press.
Laura G. Gutiérrez is an Associate Professor in the Department of Mexican American and Latina/o Studies. Her primary research and teaching areas of interest are: Latin American, Mexican and Latina/o embodied practices, gender and sexuality, and questions of nation, modernity and the transnational. Dr. Gutiérrez is the author of Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage (U Texas P, 2010), which won The Ninth Annual MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies.
Dr. Gutiérrez has published essays and book chapters in the Arizona Journal of Hispanic Culture Studies, Transformations, Spectator, Studies in Latin American Popular Culture, Latin American Literary Review, Feminist Media Studies, Global Mexican Cultural Productions, and Velvet Barrios: Popular Culture & Chicana/o Sexualities.
Raoul Hernandez helped christen the UCSF Medical Center on Parnassus Avenue in San Francisco the summer “(I Can’t Get No) Satisfaction” hit number one in the U.S. Raised at the foot of the Berkeley hills, schooled at Pomona and Stanford, he made a beeline for his mother’s native San Antonio just out of the latter, and then moved to Austin a year later to work at The Austin Chronicle, where he spent 27 years as Music Editor. In 2018, he took over the Music Journalism course in the School of Journalism & Media at UT, whose faculty therein he joined full-time fall 2021. He also teaches Magazine Writing & Production, and soon, Interview Process.
Maggie Rivas-Rodríguez is a Professor in the School of Journalism with more than 17 years of daily news experience, mostly as a reporter, for the Boston Globe,, WFAA-TV in Dallas and the Dallas Morning News. Her research interests include the intersection of oral history and journalism and U.S. Latinos and the news media. Rivas-Rodriguez founded the Voces Oral History Project (formerly the U.S. Latino and Latina World War II Oral History Project), which has videotaped interviews with over 960 men and women, in 1999. The project has several components designed for audiences ranging from school children, to academics, to the general public. Voces has organized conferences, produced books and mini-documentaries, co-produced a play, created educational materials, and become a resource for documentary film producers, scholars, journalists and the general public. Dr. Rivas-Rodríguez also has been active in efforts to bring greater diversity to the news media. Her publications include Texas Mexican Americans and Postwar Civil Rights and the edited and co-edited collections Latina/os and World War II: Mobility, Agency, and Ideology, Beyond the Latino WWII Hero: Social and Political Legacies of the Latino WWII Generation, A Legacy More than Words: Stories of U.S. Latinos & Latinas of the WWII Generation,, and Mexican Americans and World War II.
Iliana Sosa is a documentary and narrative fiction filmmaker based in Austin, Texas. She was born and raised in El Paso, Texas, by Mexican immigrant parents. A former Bill Gates Millennium Scholar, she holds an MFA in film production and directing from UCLA. She is the recipient of numerous awards, including the Steven Bochco Fellowship, the Hollywood Foreign Press Award, the Edie and Lew Wasserman Fellowship and the National Hispanic Foundation of the Arts Scholarship, among others. Iliana has directed short documentaries, fiction shorts and a narrative fiction feature, Detained In The Desert, which had its World Premiere at the 2012 Los Angeles Latino International Film Festival. In 2017, Firelight Media awarded her an Impact Producer Fellowship. In 2018, she was selected as a Berlinale Talent and co-directed a short documentary, An Uncertain Future, with Chelsea Hernandez. The short screened at the 2018 SXSW Film Festival and won a Jury Award for Best Texas Short. It also screened at the 2018 Aspen ShortsFest where it won the Youth Jury Award. She was a 2018–2019 Sundance Institute Development Fellow with her first feature documentary, Lo que dejamos atras. The film has received additional support from the Ford Foundation and participated in the 2019 True/False Catapult Retreat and the 2020 IFP Documentary Lab. Iliana has also participated in the Logan Nonfiction Residency and the Jacob Burns Residency with the project. She was recently named a 2020 Women at Sundance Adobe Fellow.
Dr. Stacey Sowards teaches courses in communication theory, rhetorical theory, environmental communication, gender and communication, and intercultural communication. She received her Ph.D. from the University of Kansas in 2001.
Her research focuses on environmental, intercultural, and gender and communication in Latin America, Southeast Asia, and the United States. Her dissertation was a study of environmental organizations in Kalimantan, Indonesia, and was funded by a J. William Fulbright grant in 2000-2001. In 2005, she received a Fulbright-Hays grant for further study in Indonesia. She speaks both Spanish and Indonesian.
Her work in communication and rhetoric has been published as book chapters and journal articles. Other research projects focus on cultural and gender representations, and appear in journals such as Argumentation and Advocacy, Communication Studies, Philosophy and Rhetoric, and Communication Theory. Her book, on Dolores Huerta and the United Farm Workers, was published in 2019 with The University of Texas Press. Dr. Stacey K. Sowards served the department chair and a full professor in the department of communication and research fellow in the Sam Donaldson Center at the University of Texas at El Paso for many years before joining the Department of Communication Studies at The University of Texas at Austin.
Joseph D. Straubhaar is the Amon G. Carter Centennial Professor of Communications in the Department of Radio-TV-Film and the former Director of the Center for Brazilian Studies within the Lozano Long Institute for Latin American Studies. His primary teaching and research interests are in global media, digital media and the digital divide in the U. S. and other countries, Brazilian and Latin American television, media and migration, and global television production and flow; his research has been based in Brazil, other Latin America countries, Europe, Asia and Africa. His publications include World Television from Global to Local, Television In Latin America, co-authored with John Sinclair, Media Now, a textbook co-authored with Bob LaRose, and the co-edited collections Políticas de informação e comunicação, jornalismo e inclusão digital: O Local e o Global em Austin e Salvador (Information and communication policy, journalism and digital inclusion: The local and global in Austin and Salvador), and The Persistence of Inequity in the Technopolis: Race, Class and the Digital Divide in Austin, Texas.
Staff and Staff Affiliates
Maria Estrada is the Administrative Assistant for the Latino Media Arts & Studies Program. She is a Tejana writer with a passion for amplifying marginalized identities in all aspects of media production and in media criticisms. She graduated from UT in the Spring of 2020 with a BS in Radio-Television-Film and a minor in Latino Media Arts & Studies. Her focus was in media studies and screenwriting. Her recent experience with L-MAS and RTF assists in the fostering of connections between students, faculty, and alumni. A creative and a critic, Estrada enjoys writing comedy and horror scripts as well as media analyses and reviews.
Kate Marchman is the Administrative Associate for the Latino Media Arts and Studies Program. She has worked in Higher Education and the Administrative field for over 13 years. She recently moved to Austin from Atlanta, Georgia where she worked at Kennesaw State University and Georgia State University. She graduated from Georgia State University in 2005 with a Bachelor of Psychology. She is also a full-time mom of two kids, two cats, and a dog with little time for anything else. She has enjoyed getting to know UT and the faculty and staff and looks forward to growing with L-MAS.
Graduate Student Affiliates
Nathan Rossi is a PhD candidate in media studies at the University of Texas at Austin and currently an Inter-University Program for Latino Research fellow. His research interests include Latinx media studies, digital identities, and Central American studies. His dissertation considers how narratives of international adoption from El Salvador and Guatemala contribute to the mediation of transnational histories of displacement from Central America, as well as the role social media and digital technologies play in the negotiation of adoptee cultural identities. His work can be found in or is forthcoming in Latino Studies, Aztlán: A Journal of Chicano Studies, and Flow: A Critical Forum on Media and Culture.
Camila Torres Castro
Camila Torres-Castro is an L-MAS graduate student affiliate. She was born and raised in Guadalajara, México and is a PhD Candidate at the Department of Spanish & Portuguese at UT Austin. Her research revolves around sound in film in Latin America, with a focus on Contemporary Mexico. She is also a DJ with Chulita Vinyl Club and the editor of Pterodáctilo, the online blog of the Dept. of Spanish & Portuguese. She loves cats, the ocean, and hosting parties.